Ratio, affectus, sensus: Literary Culture of the Baroque in the Grand Duchy of Lithuania

In 2025, we will commemorate the 400th anniversary of the first publication of Matheus Casimirus Sarbievius' most famous Latin poetry collection 'Lyricorum libri tres' (1625). This has led to 2025 being declared the Year of Baroque Literature in Lithuania. The eminent Jesuit neo-Latin poet of the Polish-Lithuanian Commonwealth, Sarbievius, has been hailed as the Christian Horace and the Sarmatian Horace. His theoretical thoughts on poetry and rhetoric are still highly regarded and have inspired new research on other concurrent themes and authors. This anniversary provides an opportunity to explore the extent and diversity of Baroque literary culture, which has seen a surge of interest in recent decades, both in the academic world and in popular culture. Therefore, the Institute of Lithuanian Literature and Folklore, together with the Faculty of Philology of Vilnius University, is organising an international academic conference "Ratio, affectus, sensus: Literary Culture of the Baroque in the Grand Duchy of Lithuania" on 25-27 September 2025 in the baroque city of Vilnius.

The aim of the multidisciplinary conference is to stimulate discussion on the literary culture of the "long seventeenth century" (from the end of the 16th century to the middle of the 18th century) in the Grand Duchy of Lithuania. This historical period, associated with dramatic changes and a general cultural crisis, is often described in contradictory terms and in constant tension between reason and senses, rigid structure and passions, classifications and impressions, etc. By embracing this contradiction, we invite an exploration of the theme in question through the lens of this dynamic interplay between reason (ratio), emotion (affectus) and the senses (sensus), which can be perceived in various genres of the period, such as poetry, biography, hagiography, rhetoric, private and public correspondence, and so on. The importance of the modern approach lies not only in what it can reveal about the Baroque in the Grand Duchy of Lithuania, but also about subsequent and contemporary literary culture, as scholars have demonstrated the continuing influence of a 'Baroque spirit'.

Keynote speakers


Ona Dilytė-Čiurinskienė
Senior Researcher, The Institute of Lithuanian Literature and Folklore
Prof Stephen Harrison
Professor of Latin literature, University of Oxford
Michał Heintze

Michał Heintze

The Reception of Sarbiewski's Poems in the Engravings of Pieter Soutman (ca. 1580–1657)

Michał Heintze

Adam Adam Mickiewicz University

 

The Reception of Sarbiewski's Poems in the Engravings of Pieter Soutman (ca. 1580–1657)

Keywords: Sarbiewski, Pieter Soutman, engravings

This paper focuses on four engravings by the Dutch artist Pieter Claesz Soutman (1580–1657). Each engraving features inscriptions taken from odes of Maciej Kazimierz Sarbiewski SJ (1595-1640). The authorship of Sarbiewski's titles on the engravings was passed over in silence by the artist. The research explores the visual and textual interplay between Soutman’s compositions and Sarbiewski’s poetry, offering insights into the cross-confessional transmission of literary themes. Of particular interest in the context of this is Soutman's relationship with the Polish Lithuanian Commonwealth. The paper concludes with a broader reflection on the reception of Sarbiewski in Protestant contexts, drawing parallels to similar cases.

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